Light &
Form

One question, two media:
how does light define form?

Illustration, photo editing & art direction
Self-directed study · 2021

Four final plates. One visual language.

Created independently in Illustrator and Photoshop, from pencil studies to two poster colourways and two edited photo plates.

Symmetrically Unorthodox — Illustration

Two colourways, one composition. Compare how colour changes the emphasis while the wave pattern, typography and diagonal form stay in place.

Waves poster with pink headline, curved line pattern and diagonal pink form
PL. 01 / Pink colourwayPink carries the accent from the headline through the waves to the foreground.
Waves poster with pale blue headline, white wave lines and diagonal blue form
PL. 02 / Blue colourwayPale blue and white give the same composition a cooler tone.
Read the pair
Follow the headline, curved pattern and diagonal form. The reading order holds as the palette changes.

From Shadow to Serenity — Photo Editing

Two existing edits of Blue Haven. Read them together to see how headline alignment, figure scale and text grouping change the balance of the composition.

Blue Haven first edit with offset title, larger monochrome figure and blue flowers
PL. 03 / First editAn offset title and larger figure create an asymmetric balance.
Blue Haven revised edit with centred title, grouped supporting text and smaller monochrome figure
PL. 04 / Revised editCentred text and a smaller figure open up the middle of the composition.
What stays
The monochrome figure and blue flowers preserve the mood while the type and spacing change.

Reflection

Placing these two projects together revealed something I hadn't fully articulated before — that illustration and photography are, for me, the same question asked in two different languages. Both are about deciding what gets to exist on the surface and what gets erased. Both demand the same thing: restraint, and the courage to stop.

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